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Pinocchio Lied

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The name Pinocchio is a combination of the Italian words pino pine , and occhio eye ; Pino is also an abbreviation of Giuseppino , the diminutive for Giuseppe the Italian form of Joseph ; one of the men who greatly influenced Collodi in his youth was Giuseppe Aiazzi, a prominent Italian manuscript specialist who supervised Collodi at the Libreria Piatti bookshop in Florence.

Pinocchio's characterization varies across interpretations, but several aspects are consistent across all adaptations: Pinocchio is a puppet, Pinocchio's maker is Geppetto and Pinocchio's nose grows when he lies.

Pinocchio is known for having a short nose that becomes longer when he is under stress chapter 3 , especially while lying.

In the original tale, Collodi describes him as a "rascal," "imp," "scapegrace," "disgrace," "ragamuffin," and "confirmed rogue," with even his father, carpenter Geppetto, referring to him as a "wretched boy.

Pinocchio's bad behavior, rather than being charming or endearing, is meant to serve as a warning. Collodi originally intended the story, which was first published in , to be a tragedy.

A tempestuous northerly wind began to blow and roar angrily, and it beat the poor puppet from side to side, making him swing violently, like the clatter of a bell ringing for a wedding.

And the swinging gave him atrocious spasms His breath failed him and he could say no more. He shut his eyes, opened his mouth, stretched his legs, gave a long shudder, and hung stiff and insensible.

Pinocchio is a wooden marionette a puppet that is manipulated with wires and not a hand puppet directly controlled from inside by the puppeteer's hand.

But the piece of wood from which he is derived is animated, and so Pinocchio moves independently. Basically good, he often gets carried away by bad company and is prone to lying.

His nose will become longer and longer once he starts lying to others. Pinocchio undergoes transformations during the novel: he promises The Fairy with Turquoise Hair to become a real boy, flees with Candlewick to the Land of Toys , becomes a donkey, joins a circus, and becomes a puppet again.

In the last chapter, out of the mouth of The Terrible Dogfish with Geppetto, Pinocchio finally stops being a puppet and becomes a real boy thanks to the intervention of the Fairy in a dream.

In the novel, Pinocchio is often depicted with a pointy hat, a jacket and a pair of colored, knee-length pants. In the Disney version, the appearance is different; the character is dressed in Tyrolean style, with Lederhosen and a hat with a feather.

Pinocchio's nose is his best-known characteristic. It grows in length when he tells a lie; this appears in chapter XVI. Collodi himself, in Note gaie claims how "to hide the truth of a speculum animae mirror of the soul face [ There is an inconsistency, however, because his nose grows when it is first carved by Geppetto, without Pinocchio ever lying.

The nose appears only a couple of times in the story, but it reveals the Blue Fairy's power over Pinocchio when he acts disobediently. After the boy's struggling and weeping over his deformed nose, the Blue Fairy summons woodpeckers to peck it back to normal.

Some literary analysts have described Pinocchio as an epic hero. Like many Western literary heroes, such as Odysseus , Pinocchio descends into hell; he also experiences rebirth through metamorphosis, a common motif in fantasy literature.

Before writing Pinocchio , Collodi wrote a number of didactic children's stories for the then-recently unified Italy , including a series about an unruly boy who undergoes humiliating experiences while traveling the country, titled Viaggio per l'Italia di Giannettino "Little Johnny's voyage through Italy".

One major effect was the emigration of much of the Italian peasantry to cities and to foreign countries such as the United States.

The main imperatives demanded of Pinocchio are to work, be good, and study. And in the end Pinocchio's willingness to provide for his father and devote himself to these things transforms him into a real boy with modern comforts.

When Walt Disney Productions was developing the story for their film version of Pinocchio , they intended to keep the obnoxious aspects of the original character, but Walt Disney himself felt that this made the character too unlikable, so alterations were made to incorporate traits of mischief and innocence to make Pinocchio more likable.

Pinocchio was voiced by Dickie Jones. In the video game adaptation of the film, Pinocchio lives out mostly the same role as the film, traveling through the world filled with temptations and battling various forces.

In the early s, it is rumored that Elijah Wood portrayed the real-boy version of Pinocchio in the live-action segments for the updated Jiminy Cricket educational serials I'm No Fool and You , in addition to the new shorts of I'm No Fool.

In the video game Epic Mickey: Power of Illusion Pinocchio is featured as one of the many iconic Disney characters kidnapped by the evil witch Mizrabel in her plot to dominate their world; he is imprisoned alongside Genie in the Cave of Wonders until eventually being rescued by Mickey Mouse.

A giant statue of Pinocchio in the park Parco di Pinocchio , Collodi. From Wikipedia, the free encyclopedia. This article is about the original Carlo Collodi fictional character.

The Pinocchio paradox raises a purely logical issue for any metalanguage—hierarchy solution, strict or liberal. The Pinocchio scenario is not going to arise in our world, so it is not a pragmatic issue.

It seems though that there could be a logically possible world in which Pinocchio's nose grows if and only if he is saying something not true.

However, there cannot be such a logically possible world wherein he makes the statement "My nose is growing. In his next article, "Pinocchio against the dialetheists", Eldridge-Smith states: "If it is a true contradiction that Pinocchio's nose grows and does not grow, then such a world is metaphysically impossible, not merely semantically impossible.

But surely, if you speak falsely I shall throw you into water. He could not throw Socrates into water, because by doing this Plato would have violated his promise to let Socrates cross the bridge if he speaks the truth.

On the other hand, if Plato would have allowed Socrates to cross the bridge, it would have meant that Socrates said an untruth when he replied "You are going to throw me into the water," and he therefore should have been thrown into the water.

In other words, Socrates could be allowed to cross the bridge if and only if he could not be. William F.

Vallicella , while admitting that he has not read the articles published in Analysis , says that he does not see a paradox in the future tense of the sentence "My nose will grow now", or in the present tense of the sentence "My nose grows now".

Vallicella argues that the future tense sentence cannot generate the liar paradox because this sentence cannot be ever treated as a falsity. No one who heard my prediction could claim that I lied when I made it even if I had the intention of deceiving my hearers.

For although I made what turned out to be a false statement with the intention to deceive, I had no way of knowing exactly what my blood pressure would be the next day.

Even if his prediction that his nose will grow turns out to be false, it is impossible to claim that he has lied. If Pinocchio says 'My nose grows now,' he is either lying or not.

If he is lying, then he is making a false statement, which implies that his nose does not grow now. If he is not lying, then his statement is either true or false, which implies that either his nose does grow now or his nose does not grow now.

Therefore, either his nose does not grow now or his nose does grow now. But that is wholly unproblematic.

However, Vallicella's argument can be criticized in the following way: [ original research? However, Pinocchio, operating within the framework of having observed that his nose grows when and only when he lies, would be making an inductively reasoned statement which he believes to be true based on his past experiences.

But this critique to Vallicella's argument can also be challenged. Based on Pinocchio's own presumed understanding of the nature of when and why his nose grows, "my nose grows now" can only have been 'inductively reasoned' if Pinocchio was referring to a lie that he stated right beforehand.

For Pinocchio, "my nose grows now" is a statement that merely serves to imply that whatever he said right before was a lie and that therefore his nose will probably be growing now because of that lie.

In this context, the statement "my nose grows now" is a prediction or an 'educated' guess, which in its nature cannot be construed as a lie. Thus, whether or not his nose grows now would solely depend on what he said before "my nose grows now".

As with many paradoxes, applying real-world logic, common meaning of words or phrases, or knowledge of the circumstances surrounding a paradox provide a solution that avoids the problem.

For this paradox, one can simply put forth that Pinocchio's nose will only grow when he is being intentionally dishonest, as the purpose of its properties is as a lesson in proper character.

For example, the properties of Pinocchio's nose cannot be used to determine the validity of scientific theories or to predict the future by having him make a claim such as "A meteorite will fall to Earth on Since there is no solution to this paradox, he cannot intentionally lie about the result.

Pinocchio's nose will not grow. From Wikipedia, the free encyclopedia. Retrieved 11 February

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Collodi originally intended the story, which was first published in , to be a tragedy. A tempestuous northerly wind began to blow and roar angrily, and it beat the poor puppet from side to side, making him swing violently, like the clatter of a bell ringing for a wedding.

And the swinging gave him atrocious spasms His breath failed him and he could say no more. He shut his eyes, opened his mouth, stretched his legs, gave a long shudder, and hung stiff and insensible.

Pinocchio is a wooden marionette a puppet that is manipulated with wires and not a hand puppet directly controlled from inside by the puppeteer's hand.

But the piece of wood from which he is derived is animated, and so Pinocchio moves independently. Basically good, he often gets carried away by bad company and is prone to lying.

His nose will become longer and longer once he starts lying to others. Pinocchio undergoes transformations during the novel: he promises The Fairy with Turquoise Hair to become a real boy, flees with Candlewick to the Land of Toys , becomes a donkey, joins a circus, and becomes a puppet again.

In the last chapter, out of the mouth of The Terrible Dogfish with Geppetto, Pinocchio finally stops being a puppet and becomes a real boy thanks to the intervention of the Fairy in a dream.

In the novel, Pinocchio is often depicted with a pointy hat, a jacket and a pair of colored, knee-length pants.

In the Disney version, the appearance is different; the character is dressed in Tyrolean style, with Lederhosen and a hat with a feather.

Pinocchio's nose is his best-known characteristic. It grows in length when he tells a lie; this appears in chapter XVI. Collodi himself, in Note gaie claims how "to hide the truth of a speculum animae mirror of the soul face [ There is an inconsistency, however, because his nose grows when it is first carved by Geppetto, without Pinocchio ever lying.

The nose appears only a couple of times in the story, but it reveals the Blue Fairy's power over Pinocchio when he acts disobediently.

After the boy's struggling and weeping over his deformed nose, the Blue Fairy summons woodpeckers to peck it back to normal.

Some literary analysts have described Pinocchio as an epic hero. Like many Western literary heroes, such as Odysseus , Pinocchio descends into hell; he also experiences rebirth through metamorphosis, a common motif in fantasy literature.

Before writing Pinocchio , Collodi wrote a number of didactic children's stories for the then-recently unified Italy , including a series about an unruly boy who undergoes humiliating experiences while traveling the country, titled Viaggio per l'Italia di Giannettino "Little Johnny's voyage through Italy".

One major effect was the emigration of much of the Italian peasantry to cities and to foreign countries such as the United States.

The main imperatives demanded of Pinocchio are to work, be good, and study. And in the end Pinocchio's willingness to provide for his father and devote himself to these things transforms him into a real boy with modern comforts.

When Walt Disney Productions was developing the story for their film version of Pinocchio , they intended to keep the obnoxious aspects of the original character, but Walt Disney himself felt that this made the character too unlikable, so alterations were made to incorporate traits of mischief and innocence to make Pinocchio more likable.

Pinocchio was voiced by Dickie Jones. In the video game adaptation of the film, Pinocchio lives out mostly the same role as the film, traveling through the world filled with temptations and battling various forces.

In the early s, it is rumored that Elijah Wood portrayed the real-boy version of Pinocchio in the live-action segments for the updated Jiminy Cricket educational serials I'm No Fool and You , in addition to the new shorts of I'm No Fool.

In the video game Epic Mickey: Power of Illusion Pinocchio is featured as one of the many iconic Disney characters kidnapped by the evil witch Mizrabel in her plot to dominate their world; he is imprisoned alongside Genie in the Cave of Wonders until eventually being rescued by Mickey Mouse.

A giant statue of Pinocchio in the park Parco di Pinocchio , Collodi. From Wikipedia, the free encyclopedia.

This article is about the original Carlo Collodi fictional character. For derivative works and other uses, see Pinocchio disambiguation.

Main article: The Adventures of Pinocchio. Pinocchio as seen in Walt Disney 's Pinocchio. Main article: Pinocchio film. Pinocchio puppets in a shop window in Florence.

The Pinocchio paradox has nothing to do with Pinocchio being a known liar. If Pinocchio were to say "I am getting sick," this could be either true or false, but Pinocchio's sentence "My nose grows now" can be neither true nor false; hence this and only this sentence creates the Pinocchio liar paradox.

Pinocchio, an animated puppet, is punished for each lie that he tells by undergoing further growth of his nose. It grows as he tells lies and at one point grows so long that he can not even get his nose "through the door of the room".

Veronique is the daughter of Peter Eldridge-Smith, who specializes in logic and the philosophy of logic. Peter Eldridge-Smith explained the liar paradox to Veronique and Veronique's older brother and asked the children to come up with their own versions of the famous paradox.

In a few minutes, Veronique suggested: "Pinocchio says, 'My nose will be growing'. The article was published in the journal Analysis , and the Pinocchio paradox became popularized on the Internet.

The paradox suggested by Veronique, "My nose grows now", or in future tense : "will be growing", leaves room for different interpretations.

In the novel Pinocchio's nose continues to grow as he lies: "As he spoke, his nose, long though it was, became at least two inches longer.

The present tense of the same sentence "My nose is growing now" or "My nose grows", appears to provide a better opportunity to generate the liar paradox.

And just to make it easier, as Eldridge-Smith states, "Pinocchio's nose is growing if and only if it is not growing," which makes Pinocchio's sentence to be "a version of the Liar".

Eldridge-Smith argues that because the phrases "is not true" and "is growing" are not synonyms , the Pinocchio paradox is not a semantic paradox:.

The Pinocchio paradox is, in a way, a counterexample to solutions to the Liar that would exclude semantic predicates from an object—language, because "is growing" is not a semantic predicate.

Eldridge-Smith believes Alfred Tarski 's theory, in which he states that liar paradoxes should be diagnosed as arising only in languages that are "semantically closed".

By this he means a language in which it is possible for one sentence to predicate the truth or falsehood of a sentence in the same language should not be applied to the Pinocchio paradox:.

The Pinocchio paradox raises a purely logical issue for any metalanguage—hierarchy solution, strict or liberal. The Pinocchio scenario is not going to arise in our world, so it is not a pragmatic issue.

It seems though that there could be a logically possible world in which Pinocchio's nose grows if and only if he is saying something not true. However, there cannot be such a logically possible world wherein he makes the statement "My nose is growing.

In his next article, "Pinocchio against the dialetheists", Eldridge-Smith states: "If it is a true contradiction that Pinocchio's nose grows and does not grow, then such a world is metaphysically impossible, not merely semantically impossible.

But surely, if you speak falsely I shall throw you into water. He could not throw Socrates into water, because by doing this Plato would have violated his promise to let Socrates cross the bridge if he speaks the truth.

On the other hand, if Plato would have allowed Socrates to cross the bridge, it would have meant that Socrates said an untruth when he replied "You are going to throw me into the water," and he therefore should have been thrown into the water.

In other words, Socrates could be allowed to cross the bridge if and only if he could not be. William F. Vallicella , while admitting that he has not read the articles published in Analysis , says that he does not see a paradox in the future tense of the sentence "My nose will grow now", or in the present tense of the sentence "My nose grows now".

Vallicella argues that the future tense sentence cannot generate the liar paradox because this sentence cannot be ever treated as a falsity. No one who heard my prediction could claim that I lied when I made it even if I had the intention of deceiving my hearers.

For although I made what turned out to be a false statement with the intention to deceive, I had no way of knowing exactly what my blood pressure would be the next day.

Even if his prediction that his nose will grow turns out to be false, it is impossible to claim that he has lied.

If Pinocchio says 'My nose grows now,' he is either lying or not. If he is lying, then he is making a false statement, which implies that his nose does not grow now.

If he is not lying, then his statement is either true or false, which implies that either his nose does grow now or his nose does not grow now.

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PIN-OCCHIO - Pinocchio Dance (Original Version) Pinocchio's Beste Spielothek in Brimingen finden is DrГјck Mich Spiel best-known characteristic. He could Beste Spielothek in Hedendorf finden throw Socrates into water, because by doing this Plato would have violated his promise to let Socrates cross the bridge if he speaks the truth. Pinocchio's characterization varies across interpretations, but several aspects are consistent across all adaptations: Pinocchio is a puppet, Pinocchio's maker is Geppetto and Pinocchio's nose grows when he lies. Hollywood Reporter. Namespaces Article Talk. Categories : Pinocchio Literary characters introduced in Fictional dolls and dummies Fictional puppets Fictional Italian people Kingdom Hearts AdlerГџon Review Pinocchio characters Sentient toys in fiction Once One Touch Paypal a Time TV series characters Male characters in literature Child characters in film Child characters in literature Child characters in musical theatre. Some literary analysts have described Pinocchio as an epic hero. Views Read Edit View history.

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Pinocchio Robert Höller. Songtext [ Bearbeiten Quelltext bearbeiten ] Englischer Originaltext Deutsche Übertragung When you wish upon a star Makes no difference who you are Anything your heart desires Will come to you. Sie haben auf dieser Webseite die Möglichkeit personenbezogene Daten zu übermitteln.